Bill C-61
June 23rd, 2008Despite following the Bill C-61 fallout fairly closely, I have to admit that I feel fairly distant from the core of the debate. To me, the rights of creators vs. rights of consumers issue is off-target: once again we are allowing the very terms of the debate to be dictated by the dominant relations of production. This is not to say that I disagree with those who are attempting to raise awareness, those who are vehemently opposing Bill C-61, but to me this disagreement remains firmly within the established discourse. In pointing out the flaws *within* Bill C-61 we are implicitly allowing the government (plus lobbyists, corporations, etc) to set the terms of the debate. By arguing that “consumers” have the right to make use of “their” property, we are pinned once again to the very property relations which define our society. Obviously, this makes it impossible to effect any change to society. Even if we manage to get Bill C-61 amended, the government and the corporations win because they have made us play their game, the game of existing property relations, by defending our “right” to use our own property.
The existing property relations see everything human beings can possibly use as a commodity. We are used to natural resources, products, etc, being commodities, but the purpose of “copyright” is to turn cultural products into commodities. Copyright only came into existence when books became seen as commodities rather than cultural products of a more complicated kind. Copyright now extends to cover all cultural artifacts (photographs, music, etc) - thereby turning as many aspects of human culture into commodities. It isn’t the details of the DMCA that we need to fight, but the very concept of cultural artifacts as commodities. Music has a much longer history than our current relations of production; those relations have already denied the vast majority of people access to music except as passive consumers (where previously, active participation and production of music was the norm). Rather than arguing who has the right to copy what commodified form of music, we should be demanding the right to music for ourselves.
I’m reminded of another ancient cultural item which was commodified under the British in India: Salt. Gandhi’s famous salt march showed Indians that they could reject the property relations the British had imposed on them, that they could take back an indigenous cultural artifact. The salt march remains an important symbolic - but very real - event in the history of Indian resistance to the British. Perhaps we need a salt march of our own.
The government has said they will not make a nation of criminals out of Canadians. Perhaps that is a role we should take on ourselves. Perhaps we should fight not only Bill C-61 but the entire set of property relations by downloading, openly and in great quantity, not out of acquisitiveness, but out of resistance, just as under Gandhi Indians and South Africans struck not for higher wages but to change the entire regime.
Download, be open about it, don’t pay the fine, get arrested. The more ordinary Canadians are put in jail, are unable to go to work, the more chance we have of effecting our own kind of change, not just the kind of change the lawyers and the businessmen allow us.